Browse Items (47 total)

Anti letter002.jpg
In this one-page typed letter, Robert Cormier addresses the teacher of a class of students who have sent him their projects. He wrote back to them, and as a cover, included this cover letter to their teacher, Mrs. Anti. Generously, he offers to…

Aylssa Letter244.jpg
Robert Cormier wrote a rather long, two-page letter in response to Alyssa O'Brien's letter to him. He encouraged her in her quest to be a writer and mentioned that he found her writing to be very clear. He was touched that she had read so many of his…

Betsy letter234.jpg
Robert Cormier's letter to Betsy Larsen, answered only three weeks after her letter was written, thanks her for writing. In it, he explains one detail she picked up on: the fallen hammer in Tunes for Bears to Dance To. He gives her a glimpse into his…

Brooke and Carly Letter242.jpg
In this one-page typed letter dated April 14, 1998, from Robert Cormier to Brooke Hausman and Carly Meltzer, he shares his writing technique of "gradual release," that it takes him 1.5 to 2 years to write a book, and that emotions are the engine for…

Craig Letter 29 Jan 1991195.jpg
In this five-page typewritten letter from Cormier to (who appears to be his editor) Craig, dated 29 Jan 1991, there are pages of line-by-line changes in the manuscript of We All Fall Down. These changes appear to be among the most final, perhaps at…

Craig Letter180.jpg
This typed two-page letter by Robert Cormier dated 9 Dec 1991 to "Craig" is written line-by-line responses to Craig's editorial questions concerning a draft of Tunes for Bears to Dance To.

Daniel Ryan Jonathan Let240.jpg
In this two-page typed letter by Robert Cormier to three Alabama middle school students, Daniel Lowe, Jonathan Osborne, and Ryan Dvorak, Cormier apologizes for combining his responses but answers each query in turn. He shares that, yes, he was…

Hall Alexander Letter225.jpg
In this one-page, typed response to Hall Alexander, dated May 7, 2000, Robert Cormier explains one of the plot knots that Hall had queried him about regarding We All Fall Down. Cormier describes a trail of consistent characters' reactions given the…

Jason Letter230.jpg
This May 7, 2000, one-page letter by Robert Cormier to Jason Campbell at the American School in Dubai, appears to address questions about where he gets his ideas for writing. Referenced are Tunes for Bears to Dance To and Tenderness. For Tunes,…

Jennifer letter001.jpg
In his two-page "random" response to Jennifer Cowan, as one of several (or more) classmates who wrote, Robert Cormier reveals that After the First Death is told from the point of view of Ben's father. He refers to a pamphlet he enclosed and hoped…

Justin Letter243.jpg
In this brief, half-page letter of reply to Justin, Robert Cormier appears to address Justin's questions that may have been posed in his letter to Cormier about Tunes for Bears to Dance To and After the First Death. Cormier relates his purposes in…

Khalad letter232.jpg
In his 22 March 1998 response to Khaled Khalaf's letter, Robert Cormier shares where he got ideas for characters in his book Tunes for Bears to Dance To.

Kopp 1.jpg
Robert Cormier's response to Dr. Peter Hasenberg of 14 Nov. 1997 thanks him for the award from the German Catholic community for his book Tunes for Bears to Dance To.

Matthias238.jpg
Robert Cormier's response to Matthias Kopp dated 7 Feb. 1998 is the means by which he thanks him for the sculpture regarding the award for Tunes for Bears to Dance To given him by the German Catholics.

Maura Letter228.jpg
In his letter to Maura Fabrice, Robert Cormier talks about using The Avenger character in We All Fall Down as a suspense device. He also talks about Buddy and Jane, the inevitability of the last scene, and how "heartbreaking" it was for him to write.…
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