Browse Items (78 total)
- Type is exactly "letter"
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Wiz (possibly Craig Virden's) letter to Robert Cormier
Wiz (likely Craig Virden) writes with what sounds like a second round of comments on a typescript of Tunes for Bears to Dance To. He speaks at length on the village destruction scene and the role and impact of Henry's father. He also mentions…
Wayne Kent's letter to Robert Cormier
In this short letter, Wayne Kent writers to Robert Cormier to ask him about where he found the information he used to portray the terrorist characters. He also compliments Cormier on the realism of the traumatic experiences he depicts. Kent concludes…
Virginia Beesley's letter to Robert Cormier
Virginia Beesley's typewritten two-page letter to Robert Cormier is an emotional epistle of her reading of After the First Death. She conveys both anger at Cormier for writing the book and admiration for writing it so skillfully. It is not clear…
Troyia Collis's letter to Robert Cormier
In this letter, Troyia writes to Robert Cormier to ask about the title of the novel, Tunes for Bears to Dance To. She also asks about his thoughts on prejudice. Further, she reflects on the personal strength needed for a young boy to refuse the offer…
Stephanie Synder letter to Robert Cormier
Stephanie formally invites Robert Cormier to visit Mrs. Anti's class and shares her faith in the author as the key to understanding a book's meaning.
Sally-Anne Whyatt's letter to Robert Cormier
In this hand-written letter, Sally-Anne shares with Cormier a number of quotes from After the First Death exploring the idea that Mark and Ben are the same character. She also asks a number of questions that are left obscured in the novel - having to…
Ryan Dvorak's letter to Robert Cormier
Ryan Dvorak, an eighth-grade student in Alabama, wrote to Robert Cormier on 15 April 2000. In his letter, he shares that Cormier's books move him and were the cause of his becoming a more avid reader because of the emotional pull of the books'…
Robert Cormier's response to Troyia Collis
In response to Troyia, Robert Cormier explains the title of his piece. As he has in other letters, he explains how language can fall short as a tool of communication. He explains his views that while there is evil in the world, there is also good. In…
Robert Cormier's response to Sally-Anne
In this letter to Sally-Anne, Robert Cormier discusses two of his novels. He talks first about the schizophrenic character in After the First Death and the guilt that arises from sacrifice. Additionally, he addresses patriotism, freedom, and…
Robert Cormier's response to Mrs. Anti's class
In this letter to Mrs. Anti's class, Cormier answers many questions posed by the students. First, he outlines how he got the idea for the novel. As in other letters, Cormier cites his life as a news reporter and his proximity to Fort Devens - as…
Robert Cormier's response to Mike Romano
Robert Cormier's response to Mike Romano dated Nov. 15, 1996 addresses Mike's questions and talks about the news story that drew his attention about the "regular" teens who trashed and "desecrated" a home in Massachusetts upon which he based part of…
Robert Cormier's response to Maura Fabrice
In his letter to Maura Fabrice, Robert Cormier talks about using The Avenger character in We All Fall Down as a suspense device. He also talks about Buddy and Jane, the inevitability of the last scene, and how "heartbreaking" it was for him to write.…
Robert Cormier's response to Matthias Kopp
Robert Cormier's response to Matthias Kopp dated 7 Feb. 1998 is the means by which he thanks him for the sculpture regarding the award for Tunes for Bears to Dance To given him by the German Catholics.
Robert Cormier's Response to Louise DeSalvo
Robert Cormier's warm response in the form of a two-page typed letter to Louise DeSalvo, dated August 9, 1998, gives her the permission she sought from him in her original letter of July 28, 1998. He responds with admiration for the scholarship…
Robert Cormier's response to Khaled Khalaf
In his 22 March 1998 response to Khaled Khalaf's letter, Robert Cormier shares where he got ideas for characters in his book Tunes for Bears to Dance To.