Two seventh-grade girls wrote to Robert Cormier expressing admiration for his work, and some of their early confusion in reading his works, In the Middle of the Night, and We All Fall Down, especially his use of non-chronological narrative structure.…
In this one-page word-processed letter by Jared Turgeon's to Robert Cormier dated 18 October 2000, he asks Cormier about his use of "symbol titles." He references specifically Tunes for Bears to Dance To. Then, he shares that he did something similar…
High school freshman, Khaled Khalaf wrote this handwritten, undated, two-page letter to Robert Cormier from Houston, Texas. He writes that he has read Tunes for Bears to Dance To, and found it enthralling as it took him "to another world." He asked…
These 32 pages of manuscript writings of Louise DeSalvo, comprise the table of contents to her book, Writing as a Way of Healing, and chapter 4, "Writing Pain, Writing Loss..." in which her correspondence with Robert Cormier is referenced, and for…
Three pages of typed, and in places, typed-over, text appears to be Robert Cormier constructing interview responses and possibly even questions to which to reply about his audience, topic, research, and writing processes for After the First Death. He…
Robert Cormier's warm response in the form of a two-page typed letter to Louise DeSalvo, dated August 9, 1998, gives her the permission she sought from him in her original letter of July 28, 1998. He responds with admiration for the scholarship…
Robert Cormier wrote a rather long, two-page letter in response to Alyssa O'Brien's letter to him. He encouraged her in her quest to be a writer and mentioned that he found her writing to be very clear. He was touched that she had read so many of his…
Robert Cormier's letter to Betsy Larsen, answered only three weeks after her letter was written, thanks her for writing. In it, he explains one detail she picked up on: the fallen hammer in Tunes for Bears to Dance To. He gives her a glimpse into his…
In this one-page typed letter dated April 14, 1998, from Robert Cormier to Brooke Hausman and Carly Meltzer, he shares his writing technique of "gradual release," that it takes him 1.5 to 2 years to write a book, and that emotions are the engine for…
In this two-page typed letter by Robert Cormier to three Alabama middle school students, Daniel Lowe, Jonathan Osborne, and Ryan Dvorak, Cormier apologizes for combining his responses but answers each query in turn. He shares that, yes, he was…
In this one-page, typed response to Hall Alexander, dated May 7, 2000, Robert Cormier explains one of the plot knots that Hall had queried him about regarding We All Fall Down. Cormier describes a trail of consistent characters' reactions given the…